Had it been just an hour ago
she’d been sitting in a stalled train, impatient to reach her destination? How eagerly
she’d looked forward to seeing their new home, dubbed by
newspapers as “The Infant Wonder of the West. For weeks, she’d anticipated a great
adventure, the kind of spine-tingling excitement found in her favorite books.
Reality was grittier, bloodier, and utterly more terrifying.
From A Dangerous Passion by E.E. Burke
In my
latest historical romance, A Dangerous
Passion, the heroine Lucy Forbes sets out to discover the kind of romantic
adventures she’s only read about in books.
What books was she reading? The same
type of literature read by the majority of women in her day--Sentimental Fiction.
Before
the romance novel, there was sentimental
fiction (also referred to as domestic
fiction). These stories were serialized in popular magazines as well as
produced as novels, and were eagerly consumed by a growing population of female
readers in the 1800s.
The
basic plot involves a young girl deprived of the support
she’d depended on to sustain her, who must win her own way in the world. In the
process, she finds inner strength and develops a strong conviction of self
worth. This was a theme that resonated powerfully with women of this era, most of whom were
under the control of men and rarely given credit for being intelligent or
capable outside of the home.
The
first big seller in this genre was Susan Warner’s The Wide, Wide World (1850). Maria Susanna Cummins is credited with
setting the trend on fire with The
Lamplighter (1854). It sold 40,000 copies in two months. She’d be
considered a bestseller these days, but back then it was nothing short of
astounding.
As
beloved as these authors were among their faithful readers, they were ridiculed
by male counterparts. Nathanial Hawthorne, in a letter written to his publisher
in 1855, says this about them:
"America is now wholly given over to a damned
mob of scribbling women, and I should have no chance of success while the
public taste is occupied with their trash…"
Regardless
of Hawthorne’s disdain (which reflected the opinions of most of the male-dominated literary industry), these “scribbling women” had a huge following.
During the last half of the 19th century, Emma Dorothy Eliza Nevitte Southworth was the single most widely read
American novelist. Mrs. E.D.E.N. Southworth (as she was fond of signing her name) sold more books than Hawthorne, Twain and Melville.
She
began writing in 1844 to support herself and her children after her husband
deserted them. Most of her more than 60 novels appeared in Robert Bonner’s
popular story newspaper, The New York
Ledger, which reached about a million readers. Her best-known work, The Hidden Hand, was reprinted twice in
serialized form and later issued as a novel.
The
narrative would seem melodramatic and her characters stereotyped to today’s readers, but it appealed to an earlier generation of women who secretly longed to throw
off cultural confinements and experience sensational adventures, if only through reading a
book.
The Hidden Hand is my heroine's favorite book. Lucy identifies strongly with the feisty main character Capitola, who
playfully pokes at conventional gentility. Here’s
a snippet from the book, where Capitola is warned not to go out alone because of
a fearsome highwayman.
“What
do you think of this outlaw, young lady?” asked the peddler, turning to Capitola.
“Why
I like him!” said Cap.
“You do?”
“Yes,
I do! I like men whose very names
strike terror into the hearts of commonplace people.”
“Oh,
Miss Black!” exclaimed Miss Condiment.
“Yes,
I do, ma’am. And if Black Donald were only as honest as he is brave, I should
quite adore him! So there! And if there is one person in the world I long to
see it is Black Donald.”
From The Hidden Hand by E.D.E.N. Southworth
At
one point in A Dangerous Passion, Lucy compares Henry to the villainous Black Donald.
Like plucky Capitola, Lucy declares she prefers villains. But then she quickly points out that’s just in stories.
Why were these books so popular? The United States was entering a period of
extreme change with regard to women’s roles in society; the suffrage movement
was just starting to rumble, Westward expansion had begun. At a time when women
were told they were fragile, emotional, childlike creatures, their own
experience proved otherwise.
In A Dangerous Passion, Lucy takes inspiration from Mrs. Southworth's novels when she sets out to find adventure and pursue her dreams. However, when we meet her, she’s
willingly put her life on hold to provide emotional support for her widowed
father. She expects to marry one day (as most women did at that time), but she's in no hurry because she fears exchanging one set of duties for another.
Lucy struggles to balance her desire for self-determination
with a deep yearning for love, commitment and the fulfillment that comes from being united with someone, body and soul.
Sound familiar? Our great-great grandmothers weren't so different from us.
By
the end of the 19th century, the sentimental
novel had fallen out of favor. Later in the 20th century, what
evolved from this form of commercial fiction is the genre we call
Romance. Those of us who love our strong, determined heroines who fight hard for their happy endings owe a great debt to those scribbling
women.
A Dangerous Passion by E.E. Burke
Can a hero lurk in the heart of a villain?
Life in a small New
England village is too quiet, too ordinary for a free spirit like Lucy Forbes.
When her father lands a job out West, she packs her books and her dreams and
eagerly sets off to pursue the kind of grand adventures she longs to experience
and write about. Yet the moment she steps off the train, she's thrust into the
gritty reality of an untamed frontier—and into the arms of a scoundrel.
Henry Stevens, the
ruthless railroad executive her father has been sent to investigate, is as
passionate as he is ambitious. Brave and charming, as well as clever, and
possessed of a sharp wit. He is, in fact, the most fascinating man Lucy
has ever met. However, his opponents are vanishing, and strangers are
shooting at him. Fearing for her father's life, Lucy resolves to unmask
the secretive Mr. Stevens and expose a villain. What she doesn’t expect to
find is a hero.
Here's an excerpt
As the carriage lurched and
started off, she looked out the window, eager to see Parsons in the daylight. It
was strange to see so many men, what with the war’s terrible impact on the male
population back home. Out here, there were young and old, short and tall, and
some dressed in the most interesting variety of clothing she’d ever seen.
Whoever heard of wearing formal tails over fringed trousers? The few women
appeared to be farmers’ wives, dressed in calico and wearing massive sunbonnets.
They hurried in and out of stores, rushed along by the chilly wind.
False fronts adorned nearly
every establishment. The buildings were lined up in rows and connected by broad
sidewalks. Very neat and organized, as if someone had planned it down to the
last detail.
In contrast, the muddy street
hosted chaos. Crowded in between covered wagons were rowdy men on horseback,
vendors pushing carts, railroaders with their tools, riding to work in the back
of a buckboard wagon. Jangling harnesses were accompanied by the rhythmic
pounding of hammers. And this was only the beginning, like the overture of an
opera. Scenes to come promised to be even more exciting.
Lucy put her nose near the
opening at the top of the window and took a deep breath. The air smelled of
earth and fresh-cut pine, perhaps from those boards being used to build a new
structure across the street.
Parsons had a raw, vibrant
energy that Haverhill lacked. The small New England village offered no prospects for work—unless she wished to
return to her aunt’s millenary shop—and even fewer for marriage. She had no
reason to return to a place where the most exciting event was mail arriving
from somewhere else. Her future was out here, and she
couldn’t wait for it to begin. Filled with fresh vitality, she retrieved a
journal from her satchel.
“Are you scribbling again
today, Lucy?” Her father’s remark was lighthearted. Still, she found it
difficult to smile. He didn’t understand
her desire to become an author, and would disapprove if he thought she was
doing it to supplement their income.
Sadly, if they had to rely on her ability
to support them, she would have to go back to making hats. A dreadful thought. “You know me. I always have my pen and journal handy.”
Henry’s speculative gaze hung
on her, sending skitters of awareness across her skin.
Her smile wavered. Heavens,
he unnerved her. Maybe that’s what he intended. Did he resent her now that he
knew the board’s intentions? She couldn’t blame him if he did, and couldn’t
help feeling bad about it. He might deserve to be dismissed, but she knew
first-hand what that kind of humiliation did to a man, especially a proud one
like Henry.
“Where are we off to this
morning?” her father asked.
To her relief, Henry looked
away. Retrieving a small notebook from the inside pocket of his coat, he referred
to it. “The roundhouse first, then the rail yard. We’ll return to the depot by
noon. I’ve instructed my assistant to have luncheon served in my office…”
While he ticked off the
activities on his list, she took the opportunity to study him. One could tell
quite a lot about a person by observing the small things. In order to help her
father, she needed to analyze Henry, much as she would a character in a book.
The hat he’d placed beside
him was one of the newer styles with a short brim and rounded crown. Called bowlers, they were coming into
popularity, especially out West. His white collar was turned down over a thin
black cravat tied in a bow, and his tawny waistcoat had notched lapels. Overall,
his style of dress indicated a modern mindset, someone who insisted on being at
the forefront of progress, if not ahead of the crowd.
He’d slid into a slouch.
Otherwise his head would brush the top of the carriage. One knee bobbed. When
it stopped, his fingers drummed the leather seat. Impatient, or bursting with
energy like her brother. Robbie had nearly driven Maman mad. He’d never been able sit quietly and read. Focusing for
hours on paperwork would be an agony for someone like that. No wonder Henry
needed an assistant.
His hair, glossy brown as a
chestnut, wasn’t curly, but had a definite mind of its own. He’d smooth it
over, and it would spring up. Then he’d frown. Apparently annoyed that he
couldn’t control his hair as easily as he set his schedule.
There was a pleasing symmetry
to his face, intelligent forehead, no-nonsense nose and a strong jaw, what she
could see of it. His neatly trimmed beard was a shade darker than his hair, as
were his eyebrows, which could lift independent of each other, as one did now
when he glanced up from his notebook.
Lucy’s cheeks heated at being
caught staring. Heaven forbid she gave him the impression she found him
fascinating. “Sounds like a full day. I’m sure I’ll be interested in seeing
everything. It’s been an exciting experience thus far.”
E.E. Burke writes romance from the heart, woven with history the way it really happened. Her latest American historical romance series, Steam! Romance and Rails, includes Passion’s Prize, Her Bodyguard and A Dangerous Passion. Her writing has earned accolades in regional and national contests, including the prestigious Golden Heart®. She can be reached through her website, www.eeburke.com or on Facebook, Twitter or Goodreads. If you love historical romance set in America, join E.E. and other authors and readers at American Historical Romance Lovers.
Do you have a favorite 19th century author or book? Who is it, and why?
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