I myself am a contemporary writer, but when I want to really escape from my everyday life, there's nothing I like better than curling up with an historical romance.
I've read all three of Virginia's South Landers series, set in South Australia, and loved them .
Charlotte is the latest in the series.
A marriage most inconvenient...
After losing his first love in childbirth, Nicholas Alden resolves never to be a father. But to marry is a very different matter—necessary for his family name. So when he meets beautiful social climber Charlotte, he believes he has found a wife he can keep at arm’s length. He is terribly wrong.
Charlotte hopes Nick can prop up her reputation long enough to secure a suitable match for her beloved cousin. She assumes that is all she can ask of her new husband—until they succumb to a night of uninhibited passion. Her heart is won in his embrace, but he doesn’t know the truth of her scandalous parentage. If he did, all would be lost.
Still, somehow, Charlotte dares to hope that her match of convenience could become something more. It is a reckless gamble, but the prize—a marriage of blazing lifelong desire—is one worth any risk…
Read a little, buy the book...
A floorboard creaked in the hallway outside, and the door opened.
“You’re still awake, my delicate delight?” Nicholas, his tie loose and his waistcoat unbuttoned, entered their rooms, holding a bottle by the neck.
Every
time she saw him seemed like the first time. She needed to glance away to
regain control of her expression. Although she knew enough not to judge a man
by his looks, no woman could resist the lure of the unobtainable. Despite his
dishevelment, from the top of his gleaming hair to the toes of his crafted
shoes, her husband was gorgeous. His manly body made a lie of the thick girlish
eyelashes surrounding his bluish eyes.
“Barely
awake.” She put her wedding ring on her middle finger where the band didn’t
slip around as much and faked a yawn. He would want his room to himself. Her
bedroom opened from a door on one side of the room and Nicholas’s opened on the
other.
She
offered him a careful smile. “Did you enjoy your evening?”
He
placed his bottle on the drum table by his comfortable armchair. “Not at all.
Join me.” He indicated the drink. Without waiting for her answer, he took two
glasses from the bow-fronted cupboard beside the fireplace.
She
hesitated, folding her sewing. The last time they had been alone was in the
Hawthorn’s garden after which he had told her he would marry her only if she
agreed not to interfere with his pleasures.
At the same time, he had mentioned
he would not interfere with hers.
Virginia
started as an art student, became a nurse/midwife, and then decided to write.
While she awaited publication she worked in interior design and theatre set
painting/design. Now she paints only when she needs to think about her next
story.
Avril Tremayne: How often do you get lost in a story?
Virginia Taylor: Daily. When I start reading, real life disappears. I forget the day, the date,
and too many appointments. I forget to eat. I’ve been like this about books all
my life. My imaginary world has always taken over from my real one.
Avril: You write both contemporary and historical – how easy is it to switch between
the two and do you have a preference?
Virginia: I like writing both. Contemporary is faster and easier because I can use my own
voice and environment. I can also be a smart or funny or rotten to the core
through one of my characters. The historicals I write are more formal in voice,
more angsty, and properly researched. These take twice as long to write. If I
wanted to give myself a break I would only write contemporaries, but I’m not
that kinda girl. I need a challenge. Changing voices comes quite naturally with
the different stories, though I need time out for a day or two after I switch
so that I can get into the right persona.
Avril: What was it about the character Charlotte that made you want to write her
story?
Virginia: My stories are character based. Nicholas Alden was a leftover from the first
historical romance I wrote, Nell, which no longer exists. I wanted to find
someone to redeem him. Although my heroes have to be good looking, (I admit to
being shallow in that regard) my heroines need to cope with ‘beauty is in the
eye of the beholder.’ In my first published historical romance, Starling, Alasdair takes a long time to ‘behold’
Starling’s beauty because she insists on being overshadowed.
Ella
already knows she is eclipsed by her sisters, and yet her handsome hero Cal
sees only her. I expect my heroes to be smart enough to see more than a woman’s looks. However,
using a plain woman to redeem a breathlessly beautiful man would be a too obvious choice.
I needed a beauty for Nick because Charlotte could see past his
looks, as he could see beneath hers…eventually.
Avril: Charlotte is book 3 in a series – what’s the link between the three books?
Virginia: My historical series is rather complicated. I originally wrote a series of four
historical romances but the first was unsaleable, as first books are. Charlotte
was the second. In the original series, the heroes or heroines in the last two were
introduced in the either of the first two.
At the time, twenty years ago, this
was a new idea. Since my agent couldn’t sell any of these manuscripts, I gave
up and wrote my first standalone, Starling, and then the book I had always
wanted to write, Ella. These two are only connected by the year and the
setting.
The
fourth in the South Landers series is Wenna, the third in my original series.
This will be released in February next year. I plan to rewrite the first, Nell,
at some stage.
So,
since I have rewritten each story, the order of reading is immaterial.
Avril: What’s your favourite time period and/or place to read about?
Virginia: I love historical fiction of any type. I think I am educating myself but really
all I do is absorb useless facts and forget important ones.
Avril: What’s next for you?
Virginia: I am contracted to write a contemporary romance series named Designing Women.
And no, they’re not artful women but arty women. The first is a rich girl/poor
boy story called Sets Appeal and features a theatre set designer and a set
builder. The second is named Miss Perception. The heroine is a house sitting,
garden designer and the hero is the tradesman working next door – and this is a
misperception. I haven’t plotted the third yet. I have another year to do so.
Avril: I love to pick up a few tips for myself every chance I get so I GOTTA ASK: As a
romance reader, what's your pet hate?
Virginia: Partial
sentences and large amounts of white space on the written page give me a
headache. I don’t need every sentence to make an impact on me. Sometimes I want
to be dragged into the story by the smooth flow.
Thanks Virginia, for taking the time to chat.
Connect with Virgina via her website, on Facebook, and Twitter.
How important it is to you for the heroine to be the most beautiful character in the book? Tell us and enter the giveaway to win one of two e-copies of Charlotte, or one of two e-copies of Ella.
