1891 . . . Jolene Crawford Crenshaw, heiress and Boston
socialite, went from her family home directly to Landonmore upon her marriage,
the mansion she shared with her handsome and charismatic husband. She’d never
in her life worried in the slightest over anything as crass as the dollars
required to maintain that home or the lifestyle she’d been born to. Her extensive yearly wardrobe, the stables
and the prime horseflesh within it, even the solid silver forks and knifes that
graced her table, were expected and required to maintain the social standing
that she’d cultivated over the years. But suddenly she was a widow with little
money and just her pride and her secrets to keep her upright.
Max Shelby made his fortune in oil wells and cattle, but
lost the love of his life the day his wife died. Now, his happy, carefree
daughter needs instruction and guidance as she grows into a young lady and his
dream of becoming a Senator from his adopted state of Texas seems out of reach
with few political or social connections. The right wife would solve both
problems. As it happens, his sister knows of a woman, a recent widow, charming,
beautiful and socially astute, but in reduced circumstances, who may want to
begin again. Max signed the wedding contract sight unseen.
Will Jolene be able to shed her sorrows, anger and fears to
begin anew away from the censure and hidden tragedy that marred her life? Is
her new husband, confident, strong and capable Max Shelby, the man, the only
man, to see past her masks to find the woman beneath?
Here's an excerpt:
Here's an excerpt:
Boston, October 1891
Prologue
Jolene Crawford Crenshaw sat on one
of two chairs just feet from the burial plot. Graveyard attendants held the
ropes suspending the casket above a deep hole in the ground and began to let
loose their ends, inches at a time. Jolene watched the casket disappear as it
was slowly lowered into the ground. Her husband’s mother shuddered when the box
was no longer visible above the grass, then lurched forward, and sobbed aloud.
Jolene sat back in her chair and
stared straight ahead while her brother-in-law knelt on the ground to embrace
and comfort his mother. Jolene listened to the drone of the minister’s final
words. The netting on her hat whipped against her face as mourners moved away
and the wind was free to chill her.
“Come, Jolene,” her sister Jennifer
said. “Turner’s brother will attend Mrs. Crenshaw. Come away, dear.”
Jolene looked up at her younger
sister, giving direction to her, and very nearly corrected Jennifer aloud. But
that would not do. No one must think her as anything but a grieving widow. She
nodded at Jennifer, stood, and allowed her father, William Crawford, to wrap
one arm about her and hold her other arm, as if she were going to crumble at
any moment. They were stopped, almost immediately, by Evelyn Prentiss. She
clutched Jolene’s hand.
“My dear, I am so terribly sorry
about this, especially considering . . . well, I’m just terribly sorry.”
“Thank you, Mrs. Prentiss,” Jolene
said. “We are bearing up as best we can.”
“Of course you are,” she said and
looked away for a brief moment. “Where is Jane? Where is your mother today?”
“Not feeling well, I’m afraid,” her
father said. “We didn’t think this chilly weather would be good for her. She
is, of course, devastated that she was unable to attend.”
Evelyn Prentiss nodded. “I will
wait a few days and call on her then.”
“She will be happy for the
diversion, Mrs. Prentiss,” Jennifer said.
Her father turned to the waiting
carriage and handed her and her sister inside. Jolene leaned her head back
against the tufted leather seat and closed her eyes. How long until she was in her own rooms and able to shed this façade?
“Will you be checking in on Mother
before you go home to Landonmore?” Jennifer asked. “She has letters and
telegrams that have arrived for you.”
“I won’t have time to visit with
Mother,” she said. “I’ll be accepting visitors this afternoon and imagine there
will be a significant number of them.”
“There will be, I’m sorry to say,”
her father said. “Even with Turner’s sometimes curious behavior as of late, his
Boston connections are sterling. There will be some from Washington, as well.”
“What time should I arrive, Jolene?
I’m going to stop in to see Mother and then will make myself available to you.
Are you coming, Father?” Jennifer asked.
“If Jolene wants me there, I will,”
he said and faced her. “What would you prefer?”
She would prefer that she was far,
far away from the questions. That she was somewhere no one knew her. She could
not take the pity, she thought, with some anger. She could not! Jolene took
deep breaths to calm her racing heart and looked at her sister.
“You’ve no need to trouble
yourself, Jennifer. Certainly there is something you would prefer to be doing
other than holding my hand, and making dreadfully repetitive small talk.”
Jennifer stared at her
incredulously. “Jolene,” she said softly. “You are my sister, and your husband
has just died. A young man, no less, a tragedy. I will stay with you while you
make your greetings to Turner’s friends. Julia would as well if she were able
to be here.”
Julia! Their sister Julia would as
likely poison her wine as comfort her or share the burden of greeting guests.
“Highly unlikely, Jennifer. Julia would
pay me no kindnesses, as you well know.”
Jennifer shook her head. “That is
not true.” She looked to their father for affirmation, but he was determinedly
staring out the window of the carriage.
The coach was silent until Jolene
heard Jennifer sniffle, and she watched her sister wipe her eyes. “Turner is
with little William now, and of that, I am glad,” Jennifer said.
There was a buzz in Jolene’s ear so
loud that she could not think for a moment. Did not remember that she was to be
the grieving widow. She leaned forward, the muscles in her face tight and
pinched, and she was uncertain if she would be able to speak. But she found her
voice, albeit strident and cruel, even by her own standards.
“Do not mention my son’s name in
the same sentence as my husband’s ever again. In fact, do not ever say my son’s
name again, you silly, ugly girl. Such sentimental drivel is, no doubt, why you
are still unmarried.”
Jennifer blinked furiously, and her
lip trembled. She looked away, and Jolene settled back in her seat. She was
surprised when Jennifer spoke again.
“You may push away anyone that
loves you, Jolene, for as long as you want. I love you, you see, and so does
Julia. And I loved little William with all my heart. I will mourn him, choose
to think of him, and speak about him when I wish. I was not his mother and
could not imagine the pain you were, and are in, but grief is not a thing to
guard jealously, as if you are the only one to feel it.”
The carriage rolled to a stop, and
Jolene barely waited for the servant to help her step down. Her hands shook and
her stomach rolled over as she entered the marbled foyer of Landonmore. She
yanked the black satin ribbons of her bonnet and dropped it as she climbed the
stairs. She entered her sitting room, dismissed her maid, locked the door to
her apartments, and tore at her black jacket till buttons flew and it was off.
Jolene dropped to her knees and struggled for breath.
She pictured her son William, at
three, running and laughing, his chubby little legs churning. She could still
feel when he climbed onto her lap, when they were alone and held her face still
with his hands. He would say, “Mother! Look at me. Mother!” And Jolene would
pretend to look elsewhere until they both dissolved into giggles.
Jolene crawled to a trunk near her
reading chair and pulled a key on a ribbon from within the folds of her dress.
With shaking hands, she unlocked the trunk and pulled a worn blanket from
inside. She buried her face in William’s blanket and breathed deep. Jolene
rocked back and forth on her haunches and held the tattered wool to her nose.
Meet Holly
Holly Bush writes historical
romance set on the American Prairie, in Victorian England and recently released
her first Women’s Fiction title. Her books are described as emotional, with
heartfelt, sexy romance. She makes her home with her husband in Lancaster
County, Pennsylvania. Connect with Holly
at www.hollybushbooks.com and on
Twitter @hollybushbooks and on Facebook at Holly Bush.
E.E.: What’s your favorite movie of all time?
Holly: Ang Lee’s 1995 Sense
and Sensibility is my all-time favorite. From the music to the casting to
the costumes to the script. The acting was superb as was the cinematography. Is
there a more nuanced depiction of love and love’s foes, money and power, ever
told? Emma Thompson’s screenplay triumphs. I have a top ten movie list compiled
and haven’t had a change on it for some time.
E.E.: Do you read reviews of your books? If so, do you pay any attention to them, or let them influence your writing?
Holly: I do read reviews of my books. I also make a conscious choice to not let the best and the worst of them take me too high or too low. But when someone has taken the time to write about what they cared about and what didn’t work for them, it can be very valuable to me as a writer. Sometimes I’m very surprised at what hit a reader emotionally or what made them understand a character more fully. If I can approach reviews unemotionally, there are often plenty of learnings to be had.
E.E.: What dreams have been realized as a result of your writing?
Holly: I’ve always worked full time and have been in my current job
for about six years, although I’ve been working for the same company for many
more than that. I actually love my job, although some days I want to bang my
head against a wall as I’m sure everyone wants to do once in a while. I write
technical manuals and training documents in addition to managing regulatory
compliance for a large farming company and have the greatest boss I could have
ever asked for. Last fall the income from my writing allowed me to go to four
days a week and I’m hoping to go to three days next year. Having three full
days to write has been a dream of mine for a long time and it finally came
true!
E.E.: What drew you to write in the genre(s) you do?
Holly: While I am thrilled that more women in the world have
control of their own sexuality, and their bodies, and I’m fond of penicillin
and modern medicine, I nonetheless love to read historical works of fiction and
non-fiction above any other. I imagine that is why I love to write them.
Thankfully, I don’t have to describe the lack of modern plumbing or any of the
many really icky or uncomfortable realities of life in the 1800’s, unless of
course I want to. What does draw me is my perception of mores and modesty
common at the time.
E.E.: What is your hope for the future of romance
publishing?
Holly: The romance community is wonderful place for writers. The
readers are voracious, and the writers are supportive and willing to give a leg
up to a new writer. Other genres do not have this type of community and many
writers I know have said how much more difficult it is to connect with readers
without the easy communication we have with blogs, writer’s groups, romance
book sites, and conventions. I hope the romance community continues this way,
and we’re able to get past the inevitable ugly moments, and stay focused on our
commonalities, and stories of love.
E.E.: What has been your most rewarding publishing moment?
Holly: Hmmm. I’ve had a few, maybe because I really didn’t expect
any of them. Many of the books I’ve published over the last three years were
written years ago and I wrote query letters for them and researched publishers
and agents for hours on end. Many, or most, did not take email submissions, so
I printed each query, along with a SASE, crossed my fingers and mailed them
off. Some took years to be returned, most took months, and they were all
rejections, mostly because the stories I wrote did not fit in any publishing
house’s categories. It was a massive leap to self-publish, knowing at that time
that self-published authors were never picked up by a publisher or agent. But with
the encouragement of my husband, I took the plunge and my books started to
sell. I was stunned, and when I realized that people, lots of them, were buying
and reading my book, it was a real affirmation that after twenty years of
rejections my stories were appealing to a wide audience. Lately, I’ve begun to
get a pretty steady amount of feedback from readers by email and through my
website. It is gratifying beyond words to talk to readers about my books.
Today, Holly will give away her books, Train Station Bride and Contract to Wed, to one lucky commenter. Just answer the question and enter the drawing.
Put yourself in the past for a moment. What would induce you to sign a contract to wed "sight unseen?"
